BRONZE COLLECTION
For the first time, the brand’s research extends beyond 925 sterling silver, introducing bronze as a new material. A choice that expands the existing language, while maintaining the centrality of the chain as a design and signature element.
COLLANE - COLLANA PERLE BAROCCHE NERE OVERSIZE,
COLLANA PERLE BAROCCHE NERE. BRACCIALI - BRACCIALE PERLE
BAROCCHE NERE OVERSIZE, BRACCIALE PERLE BAROCCHE NERE.
The bronze used is 100% recycled. The base is treated with rhodium and palladium plating, and finished with a final layer of platinum, ensuring durability and long-term aesthetic stability. The process complies with UNI EN ISO 14021 standards and is free from lead, cadmium, and nickel.
The collection is composed of necklaces and bracelets defined by different textures and proportions, alongside the intro duction of wallet chains, a new functional and formal extension of the chain.
COLLANE - ORECCHINO PIN STELLA GRANDE.
BRACCIALI - COLLANA STELLA GRANDE, COLLANA STELLA.
CATENA PANTALONE - COLLANA STELLA GRANDE, COLLANA STELLA.
The shift to bronze is an evolution of the material language: a new surface for the same geometries, the same rhythm, and the same identity, in continuity with the stylistic consistency of Emanuele Bicocchi.
BRONZE COLLECTION
For the first time, the brand’s research extends beyond 925 sterling silver, introducing bronze as a new material. A choice that expands the existing language, while maintaining the centrality of the chain as a design and signature element.
Il bronzo utilizzato è 100% riciclato. La base viene trattata con placcature in rodio e palladio, e rifinita con uno strato finale di platino, per garantire resistenza e stabilità estetica nel tempo. Il processo è conforme agli standard UNI EN ISO 14021 ed è privo di piombo, cadmio e nichel.
The collection is composed of necklaces and bracelets defined by different textures and proportions, alongside the intro duction of wallet chains, a new functional and formal extension of the chain.
The shift to bronze is an evolution of the material language: a new surface for the same geometries, the same rhythm, and the same identity, in continuity with the stylistic consistency of Emanuele Bicocchi.